Behringer PMP500

EUROPOWER PMP500

The amazing PMP500 Powered Mixer packs tremendous power (2 x 250 Watts, selectable as stereo or dual mono), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the-art switch-mode power supply, which significantly reduces weight and heat. The 12-channel PMP500 features 6 high-quality mic preamps (2 of which also accept our ULM Digital Wireless Microphones, available separately), our “one-knob” compressors, 4 stereo channels, plus 2 additional stereo inputs and 1⁄8" Aux Input for the maximum in versatility. To round out this phenomenal feature set, we added a KLARK TEKNIK 24-bit Multi-FX processor with 32 awesome presets, including studio-class reverbs, delays, pitch shifter and various multi-effects with dual-addressable parameters, Tap function and storable user parameter settings – and a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance.

Class-D - Massive Power, Perfect Sound

Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency – and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

All-In-One Solution

The powerful PMP500 gives you the choice of 2 x 250-Watt stereo (L/R), or 2 x 250-Watt dual mono (Main/Monitor) operation. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP500 can accommodate with ease. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.